Madison Penthouse
Forty floors up, the horizon stops being a view and becomes a material. Every room is squared to the same grey line of city — and in the master bathroom, the stone is cut to answer it.
Forty floors of approach
Altitude
The lift opens once, at the top.
Where the plan gives up its walls
The Long Room
The corner is left empty on purpose. After that, the city does the decorating.
Two registers of light. The vitrine is lit from within and holds the objects; the room is lit from its edges and holds the people.
By evening the cove line takes over and the glass turns to mirror.
Where the horizon is served
The Table
Ten seats, one view, no head of the table.
The pantry is a working bar. It faces the terrace, not the guests.
- Book-matched marble, honed
- Fumed oak · blackened steel · lacquer
- Perimeter cove, dimmed to four scenes
- Floor to slab, two elevations
The quiet end of the plate
The Master
Two walls of glass, and nothing hung on either.
The headboard wall is faceted, so the horizon arrives twice.
The master bathroom, taken apart
Marble Study
Six fragments of one room — the only room in the plan where the horizon is drawn by hand.
Three more bedrooms, three more horizons
The Quiet Floor
The twin room takes the widest corner in the apartment.
A guest room that works: a desk at the glass, a lamp that stays on.
Same room, both directions.
The third room keeps its own dressing table, and its own weather.
- Penthouse, single floor plate
- Master + three
- 2022
- Interior design, custom furniture, fit-out
Baan Krungthep Kritha
A house of two temperatures. Cool where it holds — board-formed concrete, blackened steel, sheet glass. Warm where it rests — travertine, oak, brass, wool. The curved concrete wall in the hall is where the two meet, and the house makes no attempt to hide the seam.
Enter the tour